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In the closing sentence of her New York Times review , Ginia Bellafante damns Mike Judge’s new series, “ The Goode Family ” — which appears to mercilessly mock everything anyone employed at the Times holds dear — with the harshest of criticisms: Mr. Judge, who remains obsessed with the insanities of political correctness, still has his head very much in the Clinton years, and it is possible to watch “The Goode Family” feeling so thoroughly transported back to another time that you wonder w |